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Nevertheless, paradoxically, in Pak's films, every now and again buddhism sprouts. The heroes of his tapes, spinning the wheel of samsara, carry particles of this attitude, pursuing the four noble truths, and Pak, with only hook nod of the digital camera, marks the key points of his narrative. I watched that great movie on https://123movie.media/best-2020/ free.The initial Truth could be the Truth about suffering ... I met this film quite once, but I still couldn't understand it, I could not bring myself to stay and observe, although, I confess, Park Chang Wook is one of the best director. It turned out scary extending its love to start watching, the topic is tough for me personally, and knowing the characteristics of this director, it is simply unbearable.The film features favorite Park actors and Lee Byung Hun, and Shin Ha Kyun, and Kang Song, as well as Lee Aung Ye. In addition, these actors are practically the elite of Korean cinema, continuing to do something with Park, and never only with him.The Second Truth is the Truth around the origin and reasons for suffering ... Unfortunately, if you don't music while in the film, you will find minimal branded Pak violins and cellos, sprouting only towards the end, rendering it much more piercing. As well as operator differs, although you can also find many close-ups, your camera is rotating everyday, just as if trying to find in the faces of your characters the answer to the question: Why and exactly why are they here. As well as the images from the heroes using this only brighter, the director raises a rather delicate topic - today's individual that would it, but won't understand why. A lost hero with a machine gun available as one hand and a bit of cookies in the other, some sort of chewing biomass obediently doing commands.Your third Truth could be the Truth in regards to the true cessation of suffering ... And suddenly these puppet soldiers begin to believe and act in their way. You will find Russian within these moods, I am unable to even explain, but this is usually a subtle a sense life, love for your personal neighbor, camaraderie. Those with souls etched away by patriotism suddenly become children again, not distinguishing territories, but accepting the modern world, and folks inside it with their shortcomings and sorrows. And Park Chang Wook, which has a bitter, ironic grin, adds light to us to have a better examine these newly reborn souls. In no film I'd been so pleased while using the setting of the sunshine, the slightly noticeable change in color in the frame, heavy shadows on the faces in the characters. Fiddling with color and light-weight in the scene which has a mine within the field is mostly Cannes or Oscar worthy.The 4th Truth may be the Truth about the ways to separate suffering ... Unfortunately, the almost theatrical film from the famous Korean director does not leave the heroes just one chance for any normal life. Conventions prevail in the characters, I felt almost palpable horror while in the finale. Perhaps they choose the only correct way out of your situation - death, having first recognized people in the other person, it is impossible to check out them as enemies again.The power of Park's films is in the amalgamation of touching human relationships and implacable self-cruelty. Within his eyes, we're just children in ugly masks, afraid to take them out and recognize each other.