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Although Puar recognizes the ways by which equivalence and identity are at work inside neoliberal capitalist economies, she challenges this pairing via an examination of the processes of capability and debility that exceed the class of disability. If, following Adorno, we place incapacity in a constellation with feminist philosophy of disability and damaging dialectics, we arrive at a spot the place incapacity principle is produced in response to a defective world. That's, incapacity is conceived in relation to the capitalist mode of production, whereby change worth and equivalence results in conceptual frameworks of identification and sameness. In negatively approaching disability, we do not arrange new concepts, but reasonably relate old ideas to each other in order to point out what has been disregarded of the conceptualization-what conflicts. The duty of the critic is to illuminate cracks in the totality, moments of disharmony, and discrepancy. This, then, is exactly where suffering enters the image.

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